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National Endowment for the Humanities Lesson Plan Links

  • National Endowment for the Humanities

    193 Individual Titles
    • ’’The Jungle,’’ Muckrakers, and Teddy Roosevelt: Lesson 1: Upton Sinclair, Theodore Roosevelt, and Harvey W. Wiley
    • ’’The Jungle,’’ Muckrakers, and Teddy Roosevelt: Lesson 2: Read All About It: Primary Source Reading in ’’Chronicling America’’
    • Aesop and Ananse: Animal Fables and Trickster Tales
    • African-American Communities in the North Before the Civil War
    • Afro Atlantic: Exploring Emancipation
    • Afro Atlantic: Mapping Journeys
    • Afro Atlantic: Paths from Enslavement
    • After the American Revolution: Free African Americans in the North
    • American Utopia: The Architecture and History of the Suburb
    • Animal Farm: Allegory and the Art of Persuasion
    • Animals of the Chinese Zodiac
    • Anishinabe/Ojibwe/Chippewa: Culture of an Indian Nation
    • Anne Frank: One of Hundreds of Thousands
    • Anne Frank: Writer
    • Argument of the Declaration of Independence, The
    • Asian American and Pacific Islander Perspectives Within Humanities Education
    • Background on the Patriot Attitude Toward the Monarchy
    • Balancing Three Branches at Once: Our System of Checks and Balances
    • Beatrix Potter’s Naughty Animal Tales
    • Beauty of Anglo-Saxon Poetry, The: A Prelude to ’’Beowulf’’
    • Boston Tea Party, The: Costume Optional?
    • Browning’s ’’My Last Duchess’’ and Dramatic Monologue
    • Can You Haiku?
    • Chronicling and Mapping the Women’s Suffrage Movement
    • Cinderella Folk Tales: Variations in Character
    • Cinderella Folk Tales: Variations in Plot and Setting
    • Composition and Content in the Visual Arts
    • Composition in Painting: Everything in Its Right Place: Lesson 1: Composition Basics
    • Composition in Painting: Everything in Its Right Place: Lesson 2: Symmetry and Balance
    • Composition in Painting: Everything in Its Right Place: Lesson 3: Repetition in the Visual Arts
    • Composition in Painting: Everything in Its Right Place: Lesson 4: Line in the Visual Arts
    • Couriers in the Inca Empire: Getting Your Message Across
    • Davy Crockett, Tall Tales, and History
    • Day for the Constitution, A
    • De Colores
    • Declare the Causes: The Declaration of Independence
    • Doing Oral History with Vietnam War Veterans
    • Dr. King’s Dream
    • Dramatic and Theatrical Aspects in Thornton Wilder’s ’’Our Town’’
    • Dramatizing History in Arthur Miller’s ’’The Crucible’’
    • Edgar Allan Poe, Ambrose Bierce, and the Unreliable Narrator
    • Edward Lear, Limericks, and Nonsense: A Little Nonsense
    • Edward Lear, Limericks, and Nonsense: There Once Was...
    • Egypt’s Pyramids: Monuments with a Message
    • Egyptian Symbols and Figures: Hieroglyphs
    • Egyptian Symbols and Figures: Scroll Paintings
    • Election of Barack Obama, 44th President of the United States, The
    • Emily Dickinson and Poetic Imagination: Leap, Plashless
    • Empire and Identity in the American Colonies
    • Esperanza Renace: Aprendiendo a No Temer el Comenzar de Nuevo
    • Esperanza Rising: Learning Not to Be Afraid to Start Over
    • Evaluating Eyewitness Reports
    • Examining Utopia & Dystopia in ’’The Giver’’
    • Fables and Trickster Tales Around the World
    • Fairy Tales Around the World
    • Federalist Debates, The: Balancing Power Between State and Federal Governments
    • First Amendment, The: What’s Fair in a Free Country?
    • Folklore in Zora Neale Hurston’s ’’Their Eyes Were Watching God’’
    • From Time to Time: Presidents and Communicating with the Public
    • Frontiers of the Big Screen
    • Genre in the Visual Arts: Portraits, Pears, and Perfect Landscapes
    • Go West: Imagining the Oregon Trail
    • Green Book, The: African American Experiences of Travel and Place in the U.S.
    • Hamlet Meets Chushingura: Traditions of the Revenge Tragedy
    • Hammurabi’s Code: What Does It Tell Us About Old Babylonia?
    • Hans Christian Andersen’s Fairy Tales
    • Harper Lee’s ’’To Kill a Mockingbird’’: Profiles in Courage
    • Harriet Tubman and the Underground Railroad
    • Hawaii’s Annexation and Statehood: How the Island Nation Became an American Frontier
    • Hawthorne: Author and Narrator
    • Holocaust and Resistance
    • Horse of a Different Color: An Introduction to Color in the Visual Arts: Lesson 1: In Depth with the Full Spectrum
    • Horse of a Different Color: An Introduction to Color in the Visual Arts: Lesson 2: Color Me Happy: Color, Mood, and Tone
    • I Hear the Locomotives: The Impact of the Transcontinental Railroad
    • If You Were a Pioneer on the Oregon Trail
    • Images of the New World
    • Impact of a Poem’s Line Breaks, The: Enjambment and Gwendolyn Brooks’ ’’We Real Cool’’
    • In Her Shoes: Lois Weber and the Female Filmmakers Who Shaped Early Hollywood
    • Introducing Jane Eyre: An Unlikely Victorian Heroine
    • Introducing Metaphors Through Poetry
    • Investigating Jack London’s ’’White Fang’’: Nature and Culture Detectives
    • It Came from Greek Mythology
    • Jack London’s ’’The Call of the Wild’’: Nature Faker?
    • Japanese American Internment Camps During WWII
    • Jazz Ambassadors: A Model for Cultural Diplomacy
    • Knowledge or Instinct? Jack London’s ’’To Build a Fire’’
    • La Familia
    • Landmark Lesson, A: The United States Capitol Building
    • Legend of Sleepy Hollow, The
    • Let Freedom Ring: The Life & Legacy of Martin Luther King, Jr.
    • Letters from Emily Dickinson: ’’Will You Be My Preceptor?’’: Lesson 1: In Emily Dickinson’s Own Words: Letters and Poems
    • Letters from Emily Dickinson: ’’Will You Be My Preceptor?’’: Lesson 2: Responding to Emily Dickinson: Poetic Analysis
    • Letters from Emily Dickinson: ’’Will You Be My Preceptor?’’: Lesson 3: Emulating Emily Dickinson: Poetry Writing
    • Life in Old Babylonia: The Importance of Trade
    • Lincoln Goes to War
    • Lincoln’s First Inaugural Address: We Must Not Be Enemies
    • Lions, Dragons, and Nian: Animals of the Chinese New Year
    • Listening to History
    • Listening to Poetry: Sounds of the Sonnet
    • Live from Ancient Olympia
    • Lu Shih: The Couplets of T’ang
    • Magical World of Russian Fairy Tales, The
    • Magna Carta: Cornerstone of the U.S. Constitution
    • Mapping Our Worlds
    • Mapping the Past
    • Marco Polo Takes a Trip
    • Martin Luther King, Jr., and the Power of Nonviolence
    • Martin Puryear’s ’’Ladder for Booker T. Washington’’
    • Mexican Revolution, The
    • Music of African American History, The
    • My Piece of History
    • Not Everyone Lived in Castles During the Middle Ages
    • Oh, Say, Can You See What the Star-Spangled Banner Means?
    • On the Home Front
    • On This Day with Lewis and Clark
    • Ordinary People, Ordinary Places: The Civil Rights Movement
    • Other Worlds: The Voyage of Columbus
    • Oyez! Oyez! Oyez!: Simulating the Supreme Court
    • Path of the Black Death, The
    • Personal or Social Tragedy? A Close Reading of Edith Wharton’s ’’Ethan Frome’’
    • Perspective on the Slave Narrative
    • Play with Words: Rhyme & Verse
    • Poems that Tell a Story: Narrative and Persona in the Poetry of Robert Frost
    • Poet’s Voice, The: Langston Hughes and You
    • Portrait of a Hero
    • Preamble to the Constitution, The: A Close Reading Lesson
    • Preamble to the Constitution, The: How Do You Make a More Perfect Union?
    • Preparing for Poetry: A Reader’s First Steps
    • President’s Role and Responsibilities, The: Understanding the President’s Job
    • Presidential Inaugurations: I Do Solemnly Swear
    • Raisin in the Sun, A: The Quest for the American Dream
    • Realistic Impressions: Investigating Movements in the Visual Arts
    • Recognizing Similes: Fast as a Whip
    • Red Badge of Courage, The: A New Kind of Courage
    • Red Badge of Courage, The: A New Kind of Realism
    • Remember the Ladies: The First Ladies
    • Revolutionary Tea Parties and the Reasons for Revolution
    • Robert Frost’s ’’Mending Wall’’: A Marriage of Poetic Form and Content
    • Scottsboro Boys and ’’To Kill a Mockingbird’’: Two Trials for the Classroom
    • Scraping the Sky: Architecture and American History
    • Seeing Sense in Photographs & Poems
    • Shakespeare’s ’’Julius Caesar’’: Leadership and a Global Stage
    • Shakespeare’s ’’Macbeth’’: Fear and the Dagger of the Mind
    • Shakespeare’s ’’Macbeth’’: Fear and the Motives of Evil
    • Shakespeare’s ’’Othello’’ and the Power of Language
    • Shakespeare’s ’’Romeo and Juliet’’: You Kiss by the Book
    • Si, Se Puede: Chavez, Huerta, and the UFW
    • Socrates and the Law: Argument in an Athenian Jail
    • Sophocles’ ’’Antigone’’: Ancient Greek Theatre, Live from Antiquity
    • Stars and Stripes Forever: Flag Facts for Flag Day
    • Statue of Liberty, The: Bringing ’’The New Colossus’’ to America
    • Statue of Liberty, The: The Meaning and Use of a National Symbol
    • Story of Epic Proportions, A: What Makes a Poem an Epic?
    • Supreme Court, The: The Judicial Power of the United States
    • Symmetry in ’’Sir Gawain and the Green Knight’’
    • The Music of African American History
    • The Secret Society and Fitzgerald’s ’’The Great Gatsby’’
    • Their Eyes Were Watching God: Folk Speech and Figurative Language
    • Then and Now: Life in Early America, 1740-1840
    • Thornton Wilder’s ’’Our Town’’: The Reader as Writer
    • Through the Looking Glass: Transparency in Modern Architecture
    • Toni Morrison’s ’’Beloved’’: For Sixty Million and More
    • Trip to Wonderland, A: The Nursery Alice
    • Twelve Angry Men: Trial by Jury as a Right and as a Political Institution
    • Under the Deep Blue Sea
    • Unicorns, Dragons, and Other Magical Creatures
    • Using Textual Clues to Understand ’’A Christmas Carol’’: Lesson 1: Language Analysis Based on Stave 1
    • Using Textual Clues to Understand ’’A Christmas Carol’’: Lesson 2: Scrooge as He Is Revealed During the Ghostly Experiences
    • Using Textual Clues to Understand ’’A Christmas Carol’’: Lesson 3: Theme Analysis
    • Vengeful Verbs in Shakespeare’s ’’Hamlet’’
    • Visual Records of a Changing Nation
    • Voices of the American Revolution
    • Voting Rights for Women: Pro- and Anti-Suffrage
    • Walt Whitman to Langston Hughes: Poems for a Democracy
    • What Is History? Timelines and Oral Histories
    • What Makes a Hero?
    • What Masks Reveal
    • What Was Columbus Thinking?
    • What’s in a Picture? An Introduction to Subject in the Visual Arts
    • Where I Come From
    • Where the Mountain Meets the Moon
    • Who Belongs on the Frontier: Cherokee Removal
    • Who Were the Foremothers of Women’s Equality?
    • Why Do We Remember Revere? Paul Revere’s Ride in History and Literature
    • William Golding’s ’’Lord of the Flies’’: Lesson 1: Characterization in ’’Lord of the Flies’’
    • William Golding’s ’’Lord of the Flies’’: Lesson 2: Symbolism in ’’Lord of the Flies’’
    • William Golding’s ’’Lord of the Flies’’: Lesson 3: Themes in ’’Lord of the Flies’’
    • William Penn’s Peaceable Kingdom
    • William Shakespeare’s ’’A Midsummer Night’s Dream’’: Conflict Resolution and Happy Endings
    • Women and Revolution: ’’In the Time of the Butterflies’’
    • Women’s Equality: Changing Attitudes and Beliefs
    • Women’s Suffrage: Why the West First?
    • World of Haiku, The